English

Carolyn Goodwin, founder of the Copenhagen Clarinet Choir and a key figure in the Scandinavian improvised music scene, meets with Irene Bianco, a percussionist and performer active mainly in the fields of contemporary music, and free improvisation in a.o. Damkapellet and Wolfskin Ensemble and Michael Mørkholt, an electronic composer and member of the group Aar & Dag.

Together, they explore a symbiotic play between acoustic wind instruments, percussion, and listening computers. Mørkholt’s sensory and generative computer systems, with their inherent organic logic, dynamically interact with Bianco’s extended percussion and Goodwin’s multiple woodwinds, where a classical approach to sonority, as well as a considered lyricism, is pivotal to their expressions as improvisers. The result is a cybernetic feedback dialog and interplay between human musical intuition and algorithmic probability.

Danish

Carolyn Goodwin er en aktiv musiker på den skandinaviske improviserede musikscene og kendt som grundlægger af Copenhagen Clarinet Choir. I en helt ny konstellation møder hun perkussionist og performer Irene Bianco, som hovedsageligt arbejder med kontemporær musik og fri improvisation i bl.a. Damkapellet og Wolfskin Ensemble og Michael Mørkholt, elektronisk komponist og medlem af gruppen Aar & Dag.

Sammen dykker de ned i et symbiotisk samspil mellem akustiske blæseinstrumenter, perkussion og en lyttende computer. Mørkholts sensoriske og generative computersystemer, med deres iboende organiske logik, interagerer dynamisk med Biancos rytmik og Goodwins mange træblæsere, hvilket resulterer i en kybernetisk feedback-dialog mellem menneskelig musikalsk intuition og algoritmisk sandsynlighed.